a5c7b9f00b When a failed nuclear fusion experiment results in an explosion that kills his wife, Dr. Otto Octavius is transformed into Dr. Octopus, a cyborg with deadly metal tentacles. Doc Ock blames Spider-Man for the accident and seeks revenge. Meanwhile, Spidey's alter ego, Peter Parker, faces fading powers and self-doubt. Complicating matters are his best friend's hatred for Spider-Man and his true love's sudden engagement to another man.
Peter Parker can't seem to catch any kind of break. Being Spider-Man has brought him nothing but problemsfarhis personal life is concerned. Not only that, Mary Jane Watson is engaged to astronaut John Jameson, and Peter may lose her forever. Things are so bad for him that he is pushed past his breaking point, so he decides that he doesn't want to be a super hero anymore, until a freak accident transforms Dr. Otto Octavius into Dr. Octopus, a super-villain with four metal tentacles protruding from his torso. Peter realizes that only Spider-Man can stop him but, of course, problems arise. Mary Jane gets caught in the middle, and Harry Osborn, who still blames the web-slinger for the death of his father Norman Osborn, also the Green Goblin, wants him dead. Spider-Man will have to push himself past his limits if he's going to survive.
This film wants to be a drama, a love story, sci-fi movie and action extravaganza all at the same time, and then just screws up everything.<br/><br/>The action scenes are not bad, but really not that different from the first movie.<br/><br/>As farsci-fi goes, it's all fiction and no science. The whole idea of professor Octavius and his "great invention" is completely unconvincing and seem extremely far fetched, not unlike the plot twists. But then, it is a comic-book-movie.<br/><br/>But where this film really goes south is the drama/love story. It's an endless string of clichés, the characters are cardboard and the only thing truly dramatic is the quality of the dialog. Both the characters of Peter and of Mary Jane are so hopeless and indecisive that you end up hoping the bad guy kills them, just to get it over with. The pace is excruciatingly slow, so during the seemingly endless dialogs, ones eyelids tend to get very heavy.<br/><br/>Even the jokes in the movie don't work that well. It *tries* too hard to be funny, but it just isn't. The only exception is the scene in the elevator, that was hilarious.<br/><br/>If all of this isn't bad enough, the studios Morality Department also got hold of the script somewhere along the line. They injected a large dose of those wholesome "American Values", talking at lenght about American Heroes and rolemodels etc. Almost made me physically sick.<br/><br/>I still would have given it 3/10, but right now it's in the top 250. Even if you're not a harshI am about this film, then let's at least agree that in the history of cinema, surely we can find at least 250 films that are better than this one.
First, I liked Amazing Spider-Man (aka S-M 2), but I didn't leave with the same satisfaction that I did with the first installment. The storytelling was richer in round one, not nearlyjumpy; S-M 3 lacked a lot of fluidity. Yes, the special effects were there– and some of them blatantly so (was I watching the VG or was I at the movies?!) but the combination of a multitude of Spidey stories left the plot weak and unsubstantial (which is a shame, considering Michael Chabon worked on the screenplay). I thoroughly enjoyed the use of the image from the cover of the 1967 #50 Amazing S-M comic– where Peter throws his Spidey outfit in the trash–wellthe struggle that Peter has determining what is right, what is wrong, and how he fits into the context. Would I go see it again? Maybe at the $1 show. Would I buy it on DVD? Most likely, no.
Amazingly, it's not all the visual splendor or killer action sequences that elevate Spider-Man 2 above its predecessor and almost every superhero movie that has come before.
"Hold On" by Jet. In theory, the amount of heat and gravitational pull from a star, even one that size, would be enough to pull in and vaporize the water around it. We should have seen a very large column of steam rising out of the river, but it is a detail that was probably over looked or not even considered. Basically, there are three different cuts available throughout the world. First of all, there is the well-known theatrical version¹ that has been altered prior to the British cinema release² by Sony and unfortunately found its way to nearly all PAL DVDs. One headbutt has been replaced with a normal punch. The US DVD is uncut.Then, just in time for the theatrical release of <a href="/title/tt0413300/">Spider-Man 3 (2007)</a> an Extended Cut³ has been released to the home media market that runs approximately 8 minutes longer than the theatrical version. This extended version features several different kind of new scenes—story extensions, romance, action—but in principle this extended version is only worth for the die-hard fan. And by the way, the European versions of the Extended Cut are still altered in the same waythe theatrical version, thanks to the British Board of Film Classification (BBFC) and Sony.
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